A London Life and Other Tales
In the Cause of Freedom
Jude the Obscure
The Friendly Killers
The Evil Genius - A Domestic Story
The Lost World
Far from the Madding Crowdis classic novel written byThomas Hardywhich narrates the story of Gabriel Oak and Bathsheba Everdene in the sets of a country side farm. Gabriel Oak who owns a sheep farm falls in love with Bathsheba Everdene, who found her shelters with her aunt Mrs Hurst who works in Gabriel's farm. Bathsheba who gives more importance to her independence reject the Gabriel's proposal to marry her. Soon she leaves the farm and moves to nearby town. As the time passes Gabriel's farms is destroyed and he has to sell of all his assets to clear his loans and debts. Unable to do anything with his financial instability he is in search of a job and goes to a job fair being conducted in nearby town. While returning he helps to calm a fire which breakout in a farm which was about to be destroyed. The owner of the farmhouse who happened to be lady wanted to thank him. To his surprise the lady was none other than Bathsheba who had inherited the property.
NOTES
Far from the Madding Crowd
by Thomas Hardy
PREFACE
In reprinting this story for a new edition I am reminded that it was in the chapters of “Far from the Madding Crowd,” as they appeared month by month in a popular magazine, that I first ventured to adopt the word “Wessex” from the pages of early English history, and give it a fictitious significance as the existing name of the district once included in that extinct kingdom. The series of novels I projected being mainly of the kind called local, they seemed to require a territorial definition of some sort to lend unity to their scene. Finding that the area of a single county did not afford a canvas large enough for this purpose, and that there were objections to an invented name, I disinterred the old one. The press and the public were kind enough to welcome the fanciful plan, and willingly joined me in the anachronism of imagining a Wessex population living under Queen Victoria;—a modern Wessex of railways, the penny post, mowing and reaping machines, union workhouses, lucifer matches, labourers who could read and write, and National school children. But I believe I am correct in stating that, until the existence of this contemporaneous Wessex was announced in the present story, in 1874, it had never been heard of, and that the expression, “a Wessex peasant,” or “a Wessex custom,” would theretofore have been taken to refer to nothing later in date than the Norman Conquest.
I did not anticipate that this application of the word to a modern use would extend outside the chapters of my own chronicles. But the name was soon taken up elsewhere as a local designation. The first to do so was the now defunct
Examiner
, which, in the impression bearing date July 15, 1876, entitled one of its articles “The Wessex Labourer,” the article turning out to be no dissertation on farming during the Heptarchy, but on the modern peasant of the south-west counties, and his presentation in these stories.
Since then the appellation which I had thought to reserve to the horizons and landscapes of a merely realistic dream-country, has become more and more popular as a practical definition; and the dream-country has, by degrees, solidified into a utilitarian region which people can go to, take a house in, and write to the papers from. But I ask all good and gentle readers to be so kind as to forget this, and to refuse steadfastly to believe that there are any inhabitants of a Victorian Wessex outside the pages of this and the companion volumes in which they were first discovered.
Moreover, the village called Weatherbury, wherein the scenes of the present story of the series are for the most part laid, would perhaps be hardly discernible by the explorer, without help, in any existing place nowadays; though at the time, comparatively recent, at which the tale was written, a sufficient reality to meet the descriptions, both of backgrounds and personages, might have been traced easily enough. The church remains, by great good fortune, unrestored and intact, and a few of the old houses; but the ancient malt-house, which was formerly so characteristic of the parish, has been pulled down these twenty years; also most of the thatched and dormered cottages that were once lifeholds. The game of prisoner’s base, which not so long ago seemed to enjoy a perennial vitality in front of the worn-out stocks, may, so far as I can say, be entirely unknown to the rising generation of schoolboys there. The practice of divination by Bible and key, the regarding of valentines as things of serious import, the shearing-supper, and the harvest-home, have, too, nearly disappeared in the wake of the old houses; and with them have gone, it is said, much of that love of fuddling to which the village at one time was notoriously prone. The change at the root of this has been the recent supplanting of the class of stationary cottagers, who carried on the local traditions and humours, by a population of more or less migratory labourers, which has led to a break of continuity in local history, more fatal than any other thing to the preservation of legend, folk-lore, close inter-social relations, and eccentric individualities. For these the indispensable conditions of existence are attachment to the soil of one particular spot by generation after generation.
T. H.
February 1895
NOTES Far from the Madding Crowd by Thomas Hardy PREFACE In reprinting this story for a new edition I am reminded that it was in the chapters of “Far from the Madding Crowd,” as they appeared month by…
Description of Farmer Oak—An Incident When Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging …
NIGHT—THE FLOCK—AN INTERIOR—ANOTHER INTERIOR It was nearly midnight on the eve of St. Thomas’s, the shortest day in the year. A desolating wind wandered from the north over the hill whereon Oak had wa…
A GIRL ON HORSEBACK—CONVERSATION The sluggish day began to break. Even its position terrestrially is one of the elements of a new interest, and for no particular reason save that the incident of the n…
GABRIEL’S RESOLVE—THE VISIT—THE MISTAKE The only superiority in women that is tolerable to the rival sex is, as a rule, that of the unconscious kind; but a superiority which recognizes itself may some…
DEPARTURE OF BATHSHEBA—A PASTORAL TRAGEDY The news which one day reached Gabriel, that Bathsheba Everdene had left the neighbourhood, had an influence upon him which might have surprised any who never…
THE FAIR—THE JOURNEY—THE FIRE Two months passed away. We are brought on to a day in February, on which was held the yearly statute or hiring fair in the county-town of Casterbridge. At one end of the…
RECOGNITION—A TIMID GIRL Bathsheba withdrew into the shade. She scarcely knew whether most to be amused at the singularity of the meeting, or to be concerned at its awkwardness. There was room for a l…
THE MALTHOUSE—THE CHAT—NEWS Warren’s Malthouse was enclosed by an old wall inwrapped with ivy, and though not much of the exterior was visible at this hour, the character and purposes of the building …
THE HOMESTEAD—A VISITOR—HALF-CONFIDENCES By daylight, the bower of Oak’s new-found mistress, Bathsheba Everdene, presented itself as a hoary building, of the early stage of Classic Renaissance as rega…

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