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AN AESTHETIC COMPANY On the evening after Miriam’s visit to Kenyon’s studio, there was an assemblage composed almost entirely of Anglo-Saxons, and chiefly of American artists, with a sprinkling of th
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AN AESTHETIC COMPANY On the evening after Miriam’s visit to Kenyon’s studio, there was an assemblage composed almost entirely of Anglo-Saxons, and chiefly of American artists, with a sprinkling of th
MIRIAM AND HILDA On leaving the Medici Gardens Miriam felt herself astray in the world; and having no special reason t…
THE MEDICI GARDENS “Donatello,” said Miriam anxiously, as they came through the Piazza Barberini, “what can I do for y…
THE DEAD CAPUCHIN The dead monk was clad, as when alive, in the brown woollen frock of the Capuchins, with the hood dr…
THE BURIAL CHANT The Church of the Capuchins (where, as the reader may remember, some of our acquaintances had made an…
THE FAUN’S TRANSFORMATION The door of the courtyard swung slowly, and closed itself of its own accord. Miriam and Dona…
ON THE EDGE OF A PRECIPICE “Let us settle it,” said Kenyon, stamping his foot firmly down, “that this is precisely the…
MIRIAM’S TROUBLE As usual of a moonlight evening, several carriages stood at the entrance of this famous ruin, and the…
A MOONLIGHT RAMBLE The proposal for a moonlight ramble was received with acclamation by all the younger portion of the…
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